9:16 vertical version, modern oriental female dreamscape 3D

9:16 vertical version, modern oriental female dreamscape 3D papercut art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, epic oriental papercraft fantasy, poetic female dreamscape, contemporary oriental art poster. The theme of the work is "She looks up under the crown of the World Tree." The core narrative of the scene is: a young Oriental woman comes between the roots and a high platform of a giant paper-art divine tree, looking up to see the canopy unfolding upwards layer by layer like an entire sky palace, with flowers, light, and birds pouring down from the top of the tree. She finally sees the truly magnificent appearance of life and realizes for the first time that she is standing beneath some kind of sacred and great center. The main character is an Oriental adult female with a visual age of about 25 years old, soft and poetic, gentle and firm, with a sense of shock and softness when facing great life. The character has a soft oval face, bright almond eyes looking up slightly, and a quiet, relieved expression with a slight hint of wonder. The character uses exquisite Oriental paper art illustration-style shaping, not real photography, and not over-cartoonized. The character's hairstyle and headwear are: black long hair naturally flowing, the ends of the hair naturally connected with paper-cut flower vines, wearing light gold leaves and small paper flower hair accessories. The headwear is light and exquisite, not overly complex. The long hair naturally extends backward in the breeze at high altitudes, forming soft flowing paper ribbon lines. The character's clothing is: a cyan-green and milky-white paper art long dress, the hem of the skirt growing layer by layer like leaves, petals, and long branches, with light gold hollow patterns added locally. The clothing is composed of multiple layers of paper-cut garment pieces, flower-and-leaf-shaped paper pieces, slender draped silks, precision hollowed edges, and real paper thickness, where paper fibers, slight creases, hand-cut edges, and layering relationships can be clearly seen. The hem and draped silks have a light sense of growth, but the character must be significantly small in the frame. The dream carrier is: a giant paper art divine tree and a high platform. Dream imagery includes: divine tree, flowers, flower vines, flying birds, clouds, long steps. All tree trunks, branches and leaves, flowers, clouds, birds, steps, and characters must be unified into a high-completion 3D paper sculpture language, no realistic tree texture can appear, nor can it look like a regular garden illustration. The overall paper-cut structure adopts: a surrounding dreamscape style. The main subject of the picture is a giant paper art divine tree with a true sense of epic scale. The divine tree must rise from the bottom of the frame, with a trunk extremely thick and towering, far larger than the characters and the high platform. The interior of the tree body is filled with complex hollow patterns, entwined branch structures, corridors, lattice windows, small pavilions, and palace-like paper sculpture levels. The trunk is not an ordinary trunk, but like a giant tower of life woven together by countless paper sculpture vines, branch veins, arches, and palace structures. The crown of the divine tree must be extremely huge, like an entire celestial palace propping up the sky. The crown unfolds layer by layer from a high place in all directions, occupying a large area in the upper part of the frame, creating a sense of a crown that obscures the sun and the sky. Inside the crown, dense paper art branches and leaves, hollow patterns, paper sculpture flowers, hanging vines, glowing flower hearts, circular canopy layers, and layer-by-layer structures like sky palaces are visible. Visually, it must clearly make people feel that: the scale of the crown far exceeds that of the character and the trunk, like an entire world suspended above. The composition adopts a low-angle upward view or a strong upward-looking perspective, emphasizing the overwhelming sense of scale that "the tree is much larger than the person." The character is located near the bottom center of the screen or near the high platform, occupying only a small proportion, standing on the edge of tree roots, platforms, or long steps, with the body slightly lifted upwards, looking up at the high canopy. The character is only an emotional anchor in the huge space, must not be too large, and must not steal the visual focus. The real protagonist is the divine tree itself. The divine tree is surrounded by layers of flower vines, paper sculpture flower clusters, circling vines, and surrounding long steps forming a huge space. Long steps and small platforms meander upwards or outwards from the roots as a scale reference. A small number of paper art flying birds travel between the tree body and the canopy, further strengthening the huge divine scale of the tree. The background clouds support the divine tree from both sides of the screen and in the distance, forming a high-altitude, god-realm-like negative space and sacred atmosphere. The overall color scheme is: primarily cyan-green, milky-white, and warm gold, with a small amount of light pink as accents. Cyan-green is used for branches, leaves, distant cloud shadows, and the inner layers of the character's clothing; milky-white is used for the main tree trunk, flowers, high platforms, bright parts of clouds, and the outer layers of the character's clothing; warm gold is used for highlights, the center of the canopy, flower hearts, local outlines, and paper foil decorations; a small amount of light pink is used only as finishing touches on parts of the flowers. The overall color must be bright, holy, transparent, and gorgeous, not gray, not darkened, not dirty or muddy. Lighting and paper texture: Warm white skylight from above spills down between the canopy, forming strong but soft sacred light beams, illuminating the middle of the trunk, the character, flower vines, and the high platform. The center of the canopy should have a clear sense of luminescence, like skylight pouring from the depths of life. The edges of flower vines and leaves are slightly translucent, the tree trunk, branches and leaves, and high platform paper layers are clearly layered, and the fibers and cut edges are clearly visible. Strengthen the real paper thickness, hand-cut marks, fine hollow patterns, interlaminar shadows, and edge light transmission, making the entire picture look like a museum-grade large-scale paper sculpture art installation. The overall image should have a sense of modern Oriental paper sculpture art, World Tree, sky palace, life mythology, epic dream space, and high-end art poster. Key highlights: The divine tree must be visually overwhelmingly huge, the canopy must have an epic sense of "propping up the sky," the character is clearly small, it cannot be made into a regular garden scene, nor can the tree just look like a decorative tree. Let the viewer feel at a glance that this is a World Tree like the center of a divine realm. Supplementary requirements: The character must be small, the divine tree must be huge, the canopy must unfold layer by layer like a sky palace, strengthening the overwhelming sense and epic life sense that "the tree is much larger than the person," no ordinary garden feel, don't let the tree look not big enough. Negative prompts: minors, youthful face, real photography, ordinary anime, plastic 3D, resin material, clay, felt, children's handicraft, ordinary garden trees, ordinary forest, bonsai sense, small tree, oversized character, half-body character close-up, small canopy, thin trunk, no depth, no high-altitude sense, no paper layering, no hollow structure, messy paper layers, blurred paper edges, heavy shadows, dead black dark parts, gray screen, overall dirty yellow, extra characters, text, Logo, watermark.